“Kodak sells film, but they don't advertise film; they advertise memories.” ― Theodore Levitt

I shoot film because, to me, it looks more real. That might sound strange to people used to digital photography, where sharpness and clarity are often the goal. But for me, film is the closest representation of how I actually see the world. That’s because I have Visual Snow Syndrome, a neurological condition that causes me to see constant static, much like film grain, over everything.

What is Visual Snow Syndrome?

Visual Snow Syndrome (VSS) is a rare neurological condition that affects how the brain processes vision. The most common symptom is seeing a persistent layer of noise—tiny dots or static—across the entire visual field, like an old TV stuck between channels. It doesn’t go away when I close my eyes, and it’s always there, affecting everything I see.

Seeing the World Through Grain

For many, this condition can be disorienting or frustrating. But for me, it’s simply how I’ve always seen the world. And when I discovered film photography, I realized it was the first medium that truly reflected my own vision.

Digital images, with their smooth, hyper-clear precision, have always felt somewhat artificial to me. They lack the texture and movement that are part of my everyday sight. Film, on the other hand, embraces imperfection. The natural grain structure in film images mirrors the static I see all the time, making it feel more organic, more authentic.

When I shoot film, I’m not just capturing a moment—I’m capturing the way I experience that moment. The subtle grain, the soft tones, the way light reacts to celluloid—all of it aligns with how I process the world visually.

Shooting film isn’t just an aesthetic choice for me; it’s a deeply personal one. It’s a way of bridging the gap between my reality and the way others perceive it. In a world where most people see in crisp digital clarity, film photography allows me to create images that feel true to my experience.

My favorite thing about photography is finding the beauty in everything. Not very confident? No problem, I’ll see through that and show you exactly how beautiful you and your day are.

When you hire me, you are hiring my artistic style, which is candid, emotive, and timeless. Having studied photojournalism, documentary-style photography comes naturally to me. I love capturing candid moments in time rather than trying to pose you.

Being an artist as well as a photographer, I use a creative spin to capture your memories nostalgically. While we can always do portraits and posing, prepare for fun moments where you laugh together and spend time just enjoying the moment. This creative look will wow you, your family, and friends for years to come.

This isn’t just about pretty pictures—it’s about your experience and enjoying your day! You deserve to feel comfortable, natural, and fully present, not overly posed or rushed through a shot list. I focus on capturing real, unfiltered emotions— the fleeting looks, the deep belly laughs, the small but powerful moments that make your love story uniquely yours.

The Film Photography Experience | Your wedding, elopement, engagement, or microwedding on 35mm, 120mm, and Polaroid Film

Going analog means slowing everything down for a minute. In an extremely fast-paced world where we can’t take a moment to sit with our feelings and appreciate things, film forces you to do just that. The 35mm cameras, 120mm medium format TLR camera, and Polaroid cameras that I use are older than me and create beautiful, timeless images that will last for generations, but they require a little extra time to use.

Film is different than digital in that it requires you to manually change settings and wind film by hand. It also means changing the film in and out once you finish a roll. With film, you can’t expect the same fast pace as digital, but that forces the photographer to be much more intentional with the moments they capture.

This means that I will be a fly on the wall, let you enjoy your day, and take my time to be thoughtful and intentional with the love-filled moments I capture. We’ll slow down and document your day in an artistic way that will last ‘til death + some.

Let’s Connect

We’ll chat about your wedding plans, your love story, and what kind of images matter most to you. I’ll walk you through my process and answer any questions you have.

Your Wedding Day

My approach is calm, observant, and intuitive. I guide when needed, but most of the time, I let things unfold naturally — capturing the energy, emotion, and beauty of the day.

The Reveal

Film photography takes time — and it’s worth the wait. I send all film to Gelatin Labs for professional development and scanning.

Once I receive the scans, I spend time editing your images, carefully ensuring every detail is perfected. Final galleries are delivered within 6-8 weeks

Your final gallery will include a mix of film scans and high-resolution digital images (if we take digital photos) — and be a true visual story of your day, timeless and beautifully preserved.

I book a limited number of weddings per year to keep my work intentional, sustainable, and film-first. Planning your wedding or elopement last-minute? No problem! I actually enjoy last-minute bookings if I have availability!

Books are closed on the following 2026 dates:

• March 4–7, 2026

• March 18, 2026

• April 15, 2026

• May 1–14, 2026

• June 13, 2026

• June 18, 2026

• September 5, 2026

• September 26, 2026

• October 13, 2026

• October 31, 2026

All other 2026 dates are currently open. If I am booked on your date and you still want to work together, reach out, and let’s see if we can make something work! ♡